|
|
This section is designed for journalists, students, archivists
or anyone seeking information about either Evan Hunter or Ed McBain.
You'll find a lot you want to know here. If not, just yell.æTell
us what you need and we'll get it to you.
Journalist info or photo inquiries, email to:
dragica@optonline.net
|
|
| | |
| | | 10/28/2005 | | | LIVING THE LITERARY LIFE | |
| Fairfield County Times, by Patricia D'Ascoli | |
After eight days of unrelenting rain in early October, the sun made its long awaited appear-ance on Saturday, October 15-a day that has been described as "the birth date of great men." Of course, Evan Hunter, the individual who frequently used this phrase in his own writing, was one of those great men born on October 15. On the day in 2005 he would have turned 79, however, he was instead being fondly remembered in a memorial service held in his honor at the New York Society of Ethical Culture in Manhattan. Hunter, a resident of Connecticut, died on July 6, 2005 as a result of laryn-geal cancer.
On that beautiful, sunny afternoon of October 15, when perhaps the skies brightened instinctively in his honor, almost 300 people gathered together to pay tribute to the life and legacy of one of America's most prolific authors; a writer successful in so many ways, yet most notably as the creator of the long-running 87th Precinct Series written under the name of Ed McBain. And even in the last year of his life, after fighting a five-year battle with cancer, the author con-tinued to write and managed to publish three books.
"Fiddlers," the 55th and final book of the 87th Precinct Series was published posthumously in September. In May, under his own name "Let's Talk: A Story of Cancer and Love," Hunter's poignant memoir about his battle with can- cer and the woman who helped him recover, was released. And in January, "Alice in Jeopardy," what was to be the first in a new McBain series about women in jeopardy, was pub- lished. Not bad for someone who had recently endured the heartbreaking loss of his larynx.
But Evan Hunter was nothing less than the consummate professional; a writer who faithfully worked at his craft for more than fifty years, ultimately creating over 100 works that included literary novels, crime fiction, short stories, children's books and screenplays. His level of commitment to his art is evident in "Let's Talk" where the author notes that even at a stage in his career when he was obviously well established, he was concerned with the problem that having a voice prosthesis posed - he would be unable to conduct a reading and Q&A with his readers following release of a new novel.
Hunter's involvement with his readers, many of whom were self-proclaimed diehard McBain fans, was merely one facet of the author's accessibility and engagement in his world of words. Those who paid tribute to the bestselling author painted a vivid picture of a man who could speak as well as he could write; one who was known for his rapier wit, forthrightness and ability to "nail what he wanted to say," in the words of fellow mystery writer, Elmore Leonard.
In spinning a half century's worth of crime fiction, McBain made a name for himself as the master of the police proce-dural; a genre he perfected in his 87th Precinct Series, which made its debut with "Cop Hater" in 1956. These were crime novels that featured a team of real life, down to earth, on the job cops whose work took them into the dark side of human-ity in a city that closely resembled Hunter's own New York City. This was a scenario that came to be more and more familiar as society's fascination with the genre grew over the years, ultimately spawning numerous television dramas of the "McBain type."
Ed McBain, recipient of the Mystery Writers of America Grand Master Award, was also the first American to be awarded the prestigious British Crime Writers Association's Diamond Dagger. In addition to the 87th Precinct Series, McBain wrote many other novels, including a series featur- ing attorney Matthew Hope. The novels he wrote under the name of Evan Hunter (which incidentally was not his birth name, that being Salvatore Lombino, a name he legally dis- continued using in 1952) were of a different class altogether. Hunter, the author of the more serious "literary" endeavors, which included "The Blackboard Jungle" and "Strangers When We Meet," was ultimately not as well recognized as his crime writing alter ego, McBain.
No matter which name he used, however, it is clear that the author was, without a doubt, one of the most influential writ-ers of the late 20th century. In the words of Stephen King, Evan Hunter was "the writer to successfully merge realism with genre fiction, and by doing so, he may actually have cre-ated the kind of popular fiction that drove the bestseller lists and lit up the American imagination in the years 1960-2000."
Evan Hunter's memorial service was elegant and moving and yet oddly, it might even be called entertaining, filled as it was with the strains of beautiful music performed by pianist, Kathleen Landis and cellist, Fred Sherry as well as the Fidelio String Quartet. Clearly, Hunter was a lover of classi-cal music. And so, as images of Hunter over the years were projected onto a large screen, the melodious strains of Debussy, Bach and Brahms filled the auditorium on that autumn afternoon.
The many who paid tribute to the prolific writer acknowl- edged not only Hunter's literary prowess, but perhaps more importantly, the characteristics that made him a genuinely likeable and completely approachable guy; one who never took his successes for granted or let them distance him in any way from those who were such a vital component in the mak-ing of the writer's well deserved reputation - his readers.
It was only fitting then, that his widow and love of his life Dina, along with good friend Jane Powell and publisher Otto Penzler concluded the memorial service by reading e- mails sent from Hunter's fans who had been entertained time and again by reading a Hunter or a McBain novel. His works have been enjoyed all over the world, signifying in their universal appeal to audiences of diverse cultures that an excellent story with an intriguing and suspenseful plot, colorful characters, fast paced dialogue, and a sprinkling of wry humor is satis-fying in any language.
Through the many works he leaves behind for a whole new generation of fans to enjoy, Evan Hunter/Ed McBain has achieved that elusive and highly coveted slice of immortality afforded a truly great author, whose words will continue to captivate us well into the future.•
| |
|
|